The February Man
After a nine-year-old boy disappears in February under circumstances echoing a 1977 case, former victims are forced to confront the impossible legacy of the man who took them.
After a nine-year-old boy disappears in February under circumstances echoing a 1977 case, former victims are forced to confront the impossible legacy of the man who took them.
Returning to her late mother's immaculate house with her young daughter, a photographer discovers the machinery of control that shaped her childhood - and how easily it can pass to the next generation.
When his teenage son disappears after uncovering a decades-old lie, a family mediator who makes language sound reasonable must choose between the truth and the version of events he can control.
After his son vanishes, a father's confident eyewitness account begins to unravel, exposing an older false statement and the innocent man it helped destroy.
As staged murders unsettle a city, a deputy mayor's growing fixation on a young architect entangles public power, private desire, and the investigation itself.
A forensic expert on children's memory is asked to assess a survivor of a 1981 family massacre, forcing her to confront the case she survived and what all three children were taught to say.
An inspector finds four missing men from four decades who share his face and follows the trail into a secret fertility programme, a vanished lineage, and the man who may have designed both.
In a world where memories are bought and sold, a courier becomes the unwilling host of an executed serial killer. As his consciousness begins to seize control, she follows the trail of seventeen murders—while the only way to reclaim her mind may destroy the memories she cannot bear to lose.
Sentenced to community service after killing a man, an eighteen-year-old woman is placed with a nearly blind art restorer whose past is tied to an old death - and to her mother's decision to look away.
I’m a screenwriter, director & creative Producer focused on psychological thrillers, literary suspense, dark drama, and character-driven stories. My authorial world moves through psychological drama, neo-noir, domestic moral horror and obsession narratives. I am drawn to silence, inherited guilt, fractured identity, intimacy as power and the moral consequences of what remains off-screen.
My background spans across visual storytelling, campaigns, motion and production with a background in story development, script reading, adaptation research, visual materials and creative support across drama, documentary and screen projects. This informs my interest in psychology, identity, ambition, relationships, power dynamics, and the contradictions behind people’s choices.